As a graphic designer in the real life, I’m absolutely delighted to kick off a new category of articles on WatchPaper, called “Masters of design”. In this category, we’re going to feature watch designers that marked (or that we think will mark) the history of industrial design.
My excitement is further heightened by deep admiration I have for the work of Florentine designer, Giuliano Mazzuoli. As we will discover together his creations trough this article, you will understand why we chose to include him into this category.
Grandson of a bicycle builder and son of a typographer, felt really liberated among typographical characters, inks, papers, from the square roots and other theorems. With the early passing of his father, he had to take over the printing shop where:
I laid out, reproduced, and printed every kind of material, but in particular I printed catalogs for objects of poor taste and some of great design. This is what made me want to print something that I designed. I started with an object that was close to my activity at the time, an agenda. It was a simple diary designed according to my own needs. Organizers were too complicated and too “organized.” I dedicated to the year 2000 a limited edition agenda book that was different than what was ever done before.
As industrial designer he started out with two lines of pens, one inspired by workshop tools, the other by the famous coffee machine that he name Mokina.
The first watch that Giuliano Mazzuoli designed was the Manometro. with its imposing 45mm case and 14.8mm thickens, the Manometro is inspired by manometers. With its simple shape and legibility, it inspires trust:
Someone said that there is nothing more difficult to design than simplicity, but one does not design simplicity. It is encountered like the way I encountered the Manometro. This instrument, designed without any useless ornaments, has a function, but it’s not only a watch. I was inspired by simplicity. Manometro is a concept. Life is air and fluids and a pressure gauge (“manometro” in Italian) measures its pressure, and it also “measures time.”
With the same massive dimensions as the Manometro, the Manometro Chronograph ads the chronograph buttons to left side and two sub-dials:
Following the success of the Manometro, Mazzuoli designs the unisex Manometrino, with a smaller diameter (27mm), it is dedicated to all the people, especially women that were interested by the Manometro, despite its large dimensions.
Can we talk about Italian design, without immediately thinking of cars? This is where Giuliano found the inspiration for his next watch, the Trasmissione Meccanica:
There was a time when I used to watch the gear box being taken apart and put back together with anticipation so that I could take a ride in the car. Today, I look at it in a different way. I am inspired by mechanical parts and transform them into a timepiece. The gear became the case of the watch. I transformed the disc of the clutch into an original dial while the crown of the watch is identical to the spline shaft (Tuscan mechanics call it “sedano” – “the celery stick”) that transmits the rotations of the engine to the gear shift. The hands of the watch are like the ones on the compass found on the mechanic’s bench.
Here is the chronograph version, the Trasmissione Meccanica Chronograph:
Finally, here is my favourite, the Contagiry (tachometer in Italian). If the Manometro has a simple and clean design, the Contagiry takes this principle even further, by removing completely the crown. It has a lever similar to a “gear shift” and through the lunette of the watch you can carry out the functions usually done through the crown.
I think that these watches should be part of the collection of any serious fan of Italian design. They’re good representations of the very essence of contemporary Italian design and I’m sure we’ll see them in museums and design exhibition catalogs.
More about Giuliano Mazzuoli on www.giulianomazzuoli.it